剧情简介
也只有自己对自己下手才会如此矛盾了安瑟尔四世叹息一声：玛利亚是金轮王朝的人她曾先后经历三任丈夫但每一次都是以丈夫死亡而告终我曾经以为那是战乱的结果但现在我知道了...白石位面被掠夺不奇怪他们能存活下来才是大幸……实际是他们是托尼古拉的福就在他们快要灭亡的时候尼古拉成神了次元发生剧变导致入侵者最终受到影响不得不撤回君临能知道... 详情
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鸭子阿布
钱只是一种分配资源的指标他们太富了富到不能用钱衡量那是顶峰的荒淫的我即是王法的波斯式的黄金父权美女们那么美男孩子爱慕她们把她们当神以她为高傲的阿芙洛狄忒她却在他们脚下扮母鸡打鸣当狗用尽浑身解数求欢太艺术了美
豆友D7lt6vhkm0
类型实验很会玩的导演情色与恐怖画面穿插并在某些关键场景高度重合创造出讽刺的意味仿古影像与暴力美学都可圈可点不过节奏处理不佳导致前半段过于缓慢削弱和冲淡了后半段的紧张激烈感性压抑的根源指向传统保守势力的洗脑爱在战火蔓延时这种批判的角度值得肯定；不过衰老的话题却让人不太舒适……米娅·高斯一人分饰两角的演技最惊艳
刀下
SIFF #6 Real-life coming of age movie. What stands out here is the subtle push and pull dynamics between modern values and conservative traditions. On one hand we have characters saying the "correct" things, like "we parents shouldn't interfere what our children want", or there seemingly is direct intervention from School teachers and folks from "People's Committee" aiming to protect children's rights, which makes you think that tradition, as it stands, maybe are merely performative traditions in this day and age. Until at the very end when the brutal sequence unfolds in front of our eyes, the camera and the parents of Di, who almost decides to do nothing.
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